Stone has not made a film remotely memorable since Any Given Sunday (1999).
Tagged By Salma Hayek
REVIEW: Savages (2012)
Brutal, dark, nihilistic and ethereal – but is Oliver Stone’s Savages any good?
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FIVE STAR FILMS
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FIVE STAR FILMS #44: The Leopard (1963) by Lee Zachariah
Exactly fifty years ago, The Leopard won the Palm D’or at the 1963 Cannes Film Festival, and this is why. Read more →
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FIVE STAR FILMS #43: Singin’ in the Rain (1952)
So now on to some reasons WHY Singin’ in The Rain (co-directed by greats Gene Kelly and Stanley Donen) is so beloved … Read more →
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FIVE STAR FILMS: Kern Saxton (director of Sushi Girl) – Apocalypse Now (1979)
Kern Saxton, the writer, producer, editor, director and star of 'Sushi Girl' sat down with Graffiti With Punctuation to share his pick for a Five Star Film. Read more →
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FIVE STAR FILMS: Thomas Keneally (Booker Prize Winning Author) Fargo (1996)
TK: "I think that 'Fargo' is a superb film." Read more →
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FIVE STAR FILMS #42: Before Sunset (2004)
Before Sunset is an incredible film on every level, impeccably written, directed and acted, and it is embarrassing to admit that I only watched it for the first time just this month. Contrary to my belief, it proved to be even better than Before Sunrise, a film I would also award five stars. Read more →
Latest Features
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Alicia Malone’s Cannes Diary: Day 4
After yet another pain au chocolat for breakfast, I walked through some relentless rain, cursing my giant umbrella. Here in Cannes, the smartest guys are the umbrella sellers posted on every corner.
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Alicia Malone’s Cannes Diary: Day 2
Waking with a start, my tired eyes struggled to focus. Wait, where am I? I asked myself, and… am I late for something?
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Alicia Malone’s Cannes Diary: Day 1
Given all the traveling I do, you’d think I’d be good at it. This month, by the time I get back to LA after Cannes, I will have sat in a plane seat for about
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Why is horror dying at the Australian Cinema? by Casey Radford
Why didn’t The Cabin In The Woods show at my local cinema but Andre Rieu’s Maastricht Concert is? I mean, Mama and Evil Dead (2013) are barely getting a release over here yet did fairly well in the US.
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The perks of snagging award winning film reviewer Laurence Barber
Film geek ladies and gentleman, I am once again thrilled to announce the addition of another fantastic contributor to the ranks of Graffiti with Punctuation.