In fact meeting Jack Reacher’s director/screen writer Christopher McQuarrie really couldn’t have been cooler. The candid and eloquent ‘go to’ screenwriter is finally getting a chance to show off his directorial aptitude for a mainstream audience and boy did he grab it with both hands.
Screenwriter Christopher McQuarrie (The Usual Suspects), off the successful reworking of Mission Impossible: Ghost Protocol and his second turn in the director’s chair adapting Lee Child’s novel ‘One Shot’ into Jack Reacher – has been attached to hundreds of speculative projects. Today a a round table interview with Urban Cinefile, Dark Horizons & Graffiti with Punctuation we were able to see what’s actually slated and what’s pure rumour.
Exactly fifty years ago, The Leopard won the Palm D’or at the 1963 Cannes Film Festival, and this is why. Read more →
So now on to some reasons WHY Singin’ in The Rain (co-directed by greats Gene Kelly and Stanley Donen) is so beloved … Read more →
Kern Saxton, the writer, producer, editor, director and star of 'Sushi Girl' sat down with Graffiti With Punctuation to share his pick for a Five Star Film. Read more →
TK: "I think that 'Fargo' is a superb film." Read more →
Before Sunset is an incredible film on every level, impeccably written, directed and acted, and it is embarrassing to admit that I only watched it for the first time just this month. Contrary to my belief, it proved to be even better than Before Sunrise, a film I would also award five stars. Read more →
Waking with a start, my tired eyes struggled to focus. Wait, where am I? I asked myself, and… am I late for something?
Given all the traveling I do, you’d think I’d be good at it. This month, by the time I get back to LA after Cannes, I will have sat in a plane seat for about
Why didn’t The Cabin In The Woods show at my local cinema but Andre Rieu’s Maastricht Concert is? I mean, Mama and Evil Dead (2013) are barely getting a release over here yet did fairly well in the US.
Film geek ladies and gentleman, I am once again thrilled to announce the addition of another fantastic contributor to the ranks of Graffiti with Punctuation.
One of the best films of this barely embryonic century is a 62-minute stick figure animation. And you’ve probably never seen it.
